
The sound-house that women built
They began in the margins, and also at the centre of things. In wartime studios where silence was a risk and continuity a duty, young women learned to ride the dials like instruments: Daphne Oram shadowing concerts with contingency recordings, testing microphones, and, after hours, coaxing tone generators and tape into a language the BBC didn't yet recognize as music. Either she was a studio engineer with a composer's conscience […]


























