Grateful for Biggie at 5 Points Roanoke — A Surprising Mashup That Works

Avant-Garde

Grateful for Biggie at 5 Points Roanoke — A Surprising Mashup That Works

Last night at 5 Points Music Sanctuary in Roanoke, I saw Grateful for Biggie, and here’s the thing: I’ve never been a fan of The Notorious B.I.G. or The Grateful Dead. No old CDs, no t-shirts, not even a playlist. I went mostly out of curiosity, expecting to leave with a shrug and a “well, that was different.” Instead, I walked out smiling. The whole idea seems like something a […]

Henry Flynt: Appalachian Noise, Conceptual Fire

Avant-Garde

Henry Flynt: Appalachian Noise, Conceptual Fire

On the far edge of art, thought, and sonic rebellion stands Henry Flynt-a hillbilly fiddler, philosopher-logician, and avant-garde saboteur of Western culture. Long before the term "concept art" was gallery-ready, Flynt coined it as a critique, not a commodity. He studied under Quine at Harvard, jammed with La Monte Young, and publicly protested the "serious music" establishment by calling Stockhausen a cultural imperialist. Yes, really. But Flynt didn't just critique. […]

Les Rallizes Dénudés: The Loudest Band You’ve (Sort Of) Heard Of – And Why Google Image Search Is a Trap

Ambient

Les Rallizes Dénudés: The Loudest Band You’ve (Sort Of) Heard Of – And Why Google Image Search Is a Trap

Let's talk about Les Rallizes Dénudés - Japan's most enigmatic, ear-melting psych-rock band and possibly the only musical group whose name doubles as a browser history liability. If you're not familiar, Les Rallizes Dénudés (pronounced something like "leh ra-LEEZE deh-noo-DAY," but let's be honest, we're all just mumbling it differently and nodding) were a Japanese avant-garde noise-rock band formed in the late '60s. They didn't record albums in the traditional […]

“Canción Mixteca”: A Lament That Crosses Borders (and Breaks Hearts)

Folk

“Canción Mixteca”: A Lament That Crosses Borders (and Breaks Hearts)

In Wim Wenders’ 1984 film Paris, Texas, one of the most affecting moments is non-verbal. Ry Cooder’s sparse slide guitar shimmers in the American desert. A man’s voice rises to meet it, a song that has no name, at least for the audience. As it goes on, the film’s absent father, Travis (Harry Dean Stanton), kneels and looks skyward, as if the sound of that voice had summoned it. “Canción Mixteca” (written in 1915 […]

Lucio Dalla: The Astronaut Who Played Clarinet in the Alley

General

Lucio Dalla: The Astronaut Who Played Clarinet in the Alley

Lucio Dalla looked like your eccentric uncle—the one who reads Rimbaud in dialect and believes jellyfish are psychic. He wore fisherman’s caps and round glasses like he was both blind prophet and jazz pirate. But behind that disarming appearance was one of Italy’s most unclassifiable musical minds: part chanson, part prog, part street ballad, part prayer. He didn’t write songs. He built them like strange, little cities—populated with time travelers, […]

Folk

John Fahey

from John Fahey Songs, Albums, Reviews, Bio & More ... | AllMusic   Born John Aloysius Fahey on Feb 28, 1939 in Takoma Park, MD.  Died Feb 22, 2001 in Salem, OR. One of acoustic music's true innovators and eccentrics, John Fahey was a crucial figure in expanding the boundaries of the acoustic guitar over the last few decades. His music was so eclectic that it's arguable whether he should […]

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