GianniPapa

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Background

Progressive Rock

Space Rock

Space rock’s grammar—elongated forms, drones, tape loops, and immersive stagecraft—grew directly out of mid‑to‑late 1960s psychedelia. At its core were extended, trance-inducing structures, synthesizer textures and sci‑fi mythmaking; depending on the band, it felt either like a utopian drift or a gritty engine-room throb. As the counterculture pushed music toward altered perception, bands folded liquid light shows, non‑Western modalities, and studio trickery into rock, setting up the hypnotic textures that […]

todayJanuary 2, 2026 24 1

Avant-Garde

The sound-house that women built

They began in the margins, and also at the centre of things. In wartime studios where silence was a risk and continuity a duty, young women learned to ride the dials like instruments: Daphne Oram shadowing concerts with contingency recordings, testing microphones, and, after hours, coaxing tone generators and tape into a language the BBC didn't yet recognize as music. Either she was a studio engineer with a composer's conscience […]

todayNovember 16, 2025 40

Avant-Garde

Watching Kahil El’Zabar at 229 and thinking of the older musicians: creative music in expansion.

Seniority and the strange acceleration of creativity  There's a quiet revolution happening in plain sight: musicians who once embodied youthful rupture now carry their art deeper into age, as a new perspective on creativity. The surface story—legends touring stadiums—is easy to tell. The more interesting truth is internal: as the body slows, the internal listening ear gains momentum; experience pares away the unneeded flourish. What we call "seniority" is not […]

todayNovember 13, 2025 49

Avant-Garde

Mary Halvorson – Amaryllis Sextet live in Amsterdam at the BIMHUIS, 7 November 2025

Fasiel and Broz were there from Sicily. Alix and her friend Rocco were fresh from his band's gig in Rotterdam. Costa and I came from London. We arrived in Amsterdam from different European countries, and Mary Halvorson's Amaryllis Sextet was the reason for this end of year reunion trip. My expectations were high. I bought tickets back in June, assuming she wouldn't play London this autumn. I was wrong: she […]

todayNovember 9, 2025 76

Ambient

Gianni Papa Listens: Tangerine Dream’s Zeit and the Patience of the Cosmos

Tangerine Dream’s Zeit is a slow, dark, and patient record. It came out in 1972. It is four long pieces. The mood is heavy, quiet, and cosmic. There are almost no rhythms. There are long drones, soft waves, and deep tones. It asks you to listen closely. It rewards you if you do. What listeners say Many fans call Zeit a tough album. They also call it unique and powerful. […]

todayOctober 26, 2025 42

Avant-Garde

Piero Scaruffi: A Life in Knowledge, From Italian Rock Encyclopedias to a Vast Online Archive

Piero Scaruffi (born 1955) is an Italian-American polymath whose work spans cognitive science, artificial intelligence, cultural history, poetry, and, most famously, music criticism. Best known to the public for a sprawling website—often called the “Piero Scaruffi Knowledge Base”—that houses decades of reviews, essays, and syllabi, Scaruffi has also authored multi-volume histories of rock, jazz, and avant-garde music, as well as studies on consciousness, Silicon Valley, and the history of knowledge. […]

todayOctober 21, 2025 53

Avant-Garde

Drexciya’s Afrocentric Surrealism and the Re-Centering of US Electro

The Reissues as a Portal Journey of the Deep Sea Dweller (Clone, 2011–2013) is a four-volume reissue series that reintroduces Drexciya’s early EPs, singles, and deep cuts to new listeners while restoring historical context for longtime fans. Far more than archival housekeeping, the series functions as a curated portal into an undersea mythology—Drexciya as a Black Atlantis—which reframes Detroit electro not merely as machine funk but as speculative narrative and […]

todayOctober 17, 2025 52

Jazz

John Coltrane’s A Love Supreme: Recording & Pressings

Recording the suite On December 9, 1964, at Rudy Van Gelder’s Englewood Cliffs studio, John Coltrane’s classic quartet, McCoy Tyner, Jimmy Garrison, Elvin Jones, tracked the four-part suite in a single, charged evening. Coltrane then explored an alternate “Acknowledgement” the next day with Archie Shepp and Art Davis, but the released album preserves the intimate quartet performance, including small postproduction touches like the doubled chant on “Acknowledgement” and a second […]

todayOctober 13, 2025 70 5 2

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